Tuesday, September 30, 2014

How 2001: a Space Odyssey got the future right

Digital displays, computer graphics. Normal today, visionary 44 years ago. 
In June of 1968, I sat in a dark Cinerama theater, all three projectors perfectly synchronized on the big curved screen.  A prehistoric proto-human ape, having learned to use a bone as a weapon, throws it into the air in celebration...we track the skyward rise of the bone in slow motion...

And then the future happened before my eyes.

The astounding amount of personal space while traveling is pure fantasy.
The cinema-ratio flat screen video monitor?  Dead-on correct.
Stanley Kubrick's 2001: a Space Odyssey redefined forever what a science fiction movie would look like.
Do hospital monitors look like this today because
we first saw them in "2001?"

But beyond that, it predicted the look of the early 21st century so accurately that, when we look back, it seems ordinary.  Of course there are digital displays. Of course all the video is flat-screen and 16:9 ratio, and there are handheld pad computers.  On that day in 1968, few had even considered them, let alone thought of them as ordinary.

Kubrick and his team visualized them into a world so everyday, there were brand names like Whirlpool and IBM on view.

A personal tablet. In 2011, Samsung argued in court that this scene
from 2001:a Space Odyssey was a reason that Apple
had no legal leg to stand on in claiming rights to the iPad design. 
2001 was so right in its vision, so complete and natural in its depiction of a nearly-inevitable future, I also contend that it powerfully shaped the future we got, especially from a design standpoint.  At once it is both a magnificent distillation of our 1960s expectations of a bright future, and a reference manual for what that future should look like, and what it would be like to live there.

Consider airplanes.  Chances are good, if you're an Infrics.com reader, you're one of many knowledge workers and executives who spend a lot of time flying.

Where did the look of modern aircraft interiors come from?  Look at the photos below:

Today, if you set foot aboard JetBlue, Virgin, or just about any version of the new Boeing 787 Dreamliner, you can almost feel as if you're on a set from the Kubrick movie.

Of course, there are many things 2001 didn't get right: mechanical push buttons were still everywhere for instance.  Heywood Floyd steps inside a phone booth aboard the space station, so there was no prediction at all about mobile phones, or personal computers.  And when he arrived on the station, a subservient secretary-type woman asks him to state "last name and christian name" (italics mine) for voiceprint identification. Ouch.  But on many levels beyond the special effects, this was a groundbreaking effort of futurism.

So how did they do it? What can we learn from Kubrick's movie that will make us better predictors of the future?  That's the next story.

All the images shown here from 2001: a Space Odyssey are screen photos from my own Blu-ray DVD of the movie, and of course are copyrighted by the current owners of MGM intellectual property.  Many of us have never seen 2001 in high definition, let alone in a theater.  I highly recommend it; you can find the movie streaming and on disc at Amazon.

No comments:

Post a Comment